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Egypt Faces Lawsuit Seeking to Ban Music Events at the Giza Pyramids
The iconic Giza Pyramids could soon fall silent. The Egyptian government is facing a lawsuit aiming to ban all music events at the ancient site, after a group of researchers and lawyers claimed that the use of powerful sound systems, vibrations, and laser lights poses a real threat to the millennia-old monuments.
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Filed by the Egyptian Center for Economic and Social Rights (ECESR), the case was submitted by archaeologist Dr. Monica Hanna, researcher Sally Salah El-Din, and lawyer Malek Adly. The lawsuit directly targets the Minister of Tourism and Antiquities, along with other officials responsible for the preservation of Egypt’s cultural heritage.
According to the plaintiffs, large-scale audio systems and laser light shows used during music events can cause structural vibrations and potential damage to the pyramids. They argue that these activities violate international standards for heritage conservation and lighting in UNESCO-recognized sites.
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The complaint demands the immediate suspension of all music events at the Giza Plateau, a ban on temporary or permanent event structures, and a review of existing contracts between the government and private event organizers.
In recent years, the Giza Pyramids have become a surprising hotspot for global electronic music, hosting performances from artists such as Tiësto, Anyma, and Aly & Fila (FSOE). While the lawsuit does not single out any specific event, it criticizes the government’s lack of oversight and poor planning in managing cultural activities at the site.
The situation has reignited an ongoing debate — how far should tourism and entertainment be allowed to interact with historical preservation? While supporters claim these events bring global attention and boost local tourism, preservationists warn that constant exposure to sound and light could cause irreversible harm to structures that have stood for over 4,000 years.
For now, the future of music events at the Pyramids remains uncertain, but the lawsuit has already sparked a major global discussion on the fine line between culture, preservation, and spectacle.
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